APRIL

The snow has gone and any further snow we get this season would be a short-lived joke of nature, so even though I live in New England, I think it’s safe to say that spring is here. When I open the door in the early morning, the air is filled with the sound of ecstatic birds. The handful of daffodil bulbs I planted last fall are in bloom and the trees are leafing out.

It all makes me miss the asparagus bed I started almost three years ago at the last place we lived. I’d always wanted the luxury of being able to step out into my own backyard and harvest asparagus minutes before supper. Asparagus takes time to establish itself; one is supposed to wait two or three years before harvesting it ad lib. This spring would have been our first year of asparagus gluttony.

But we left that house last summer, leaving behind the asparagus, a raised-bed vegetable garden, a lilac bush, a couple of pretty young trees we planted, and numerous other growing things. It was the first time in years that I’d felt like literally “putting down roots,” so leaving those growing things was a little sad. I miss them especially now that spring has returned. I hope they are being well cared for and enjoyed.

I’ve moved five times in the past nine years, after living in one place for twelve years prior to the beginning of this new, nomadic existence. Considering the wear and tear on body and soul all this moving has wrought, I’d say I’ve moved too many times, except for the fact that there was good reason for each of the moves.

Each uprooting requires sorting through belongings, at least a little; thinning out the mass of accumulated stuff prior to packing it. I had a friend once who swore he'd never own more stuff than he could transport in his car. At the time, he drove a Volkswagen Beetle and was still in his twenties; I’d love to know how long he managed to stick to his vow.

Last fall I considered starting another vegetable garden, or at least an asparagus bed, but didn’t. And now I’m not sure whether I will or not. Instead, we bought a share in The Food Bank Farm. It’s a Community Supported Agriculture farm, whose primary mission is to provide fresh, organic produce to area food banks (the farm gives away half its annual harvest; about 200,000 pounds a year). This seems like a good way to put locally-grown food on our table and do a little something to help people who are nowhere near as fortunate as we are.

We already feel a sense of ownership in the farm, having transported the hundred or so bags of leaves our maple trees produced last fall to a collection spot at the end of one of the farm's fields. We, and clearly many other leaf-rakers, built a mountain of leaves there, over twenty feet high and covering about half an acre, thus contributing to the farm's mulch and compost supply. I remember emptying bag after bag of leaves there last November, with flocks of geese heading south over our heads, and feeling that our leaves were a kind of harvest. Come the next summer, we would effectively be eating them.

So instead of planting spinach and peas in a backyard garden these days, we’re eagerly awaiting word from the farm that the first crops of the season (which will be a variety of salad greens) are ready to be picked. And instead of digging up part of our lawn for a vegetable garden—the former owner of our property used a service that kept the lawn looking like a first-class golf course, and I can assure you those days are over—we've been digging a pit and constructing a large sandbox for the youngest of our grandkids to play in.

It seems there are many ways to put down roots.

A SUNDAY IN PENZANCE

Famished, dehydrated and fatigued after my walk (see previous post), I registered little of the double-decker bus ride back from Land’s End to Penzance. I collapsed onto a seat on the upper deck and sat there drinking from a bottle of water I’d bought while waiting for the bus.

The names of two little towns we passed through remain in my mind: Newlyn and Mousehole (charmingly pronounced “Mouz’l”). In one of these, the streets were so narrow I could have reached out and touched buildings as the bus crept along. But that’s all I remember. Back at my B&B, I took a long, hot bath, ate an early supper at the nearest pub, and fell into bed.

The next day, Sunday, I spent a few hours exploring Penzance before catching the train back to London. I’d made the decision to spend the weekend in Cornwall almost overnight so I hadn’t had time to educate myself about what there was to see in the area. My minuscule budget argued against buying a guidebook for a town I would be leaving that afternoon, so I just wandered, absorbing the sights.

To my surprise, those sights included subtropical flora, including many palm trees. I learned later that the presence of this unusual vegetation is due to the town’s location on a peninsula where it basks in a flow of air warmed by the Gulf Stream. Ignorant of this at the time, I found the sight of parks and gardens full of lush, vivid flowers and palm trees quite mind-bending. Was I in the British Isles or the West Indies?

But my mind was already bent anyway. Just before leaving London for my Cornwall adventure, I’d had a call from a film director who wanted to talk with me about the same script I was already at work on with the other director and his producers. And, oh, music to my naive ears, she said wanted to keep my story just as it was. We’d made a date to meet on Monday. My agent had told me that since there was no contract with the first group yet, and no option money paid, I was morally and legally free to make such a move; in fact she encouraged me to do so.

My mind was awash in hard choices. Stay with the people I’d been working with, who’d excited my imagination by mentioning some wonderful actors they hoped to cast? Change horses and go with the second director who seemed to want to remain true to the story as I’d originally envisioned it? Which was more likely to result in the longed-for “green light” and seeing my idea turned into a movie?

Even knowing what I do now about the movie business, I still don’t know if I made the right choice; I transferred my script and all my hopes to the new director. The script never did get made into a movie, though I earned enough in option money to keep going for a while.

In any case, I can’t help feeling the decision was colored by my experience of walking along those Cornwall cliffs. My life, my future, was in my own hands. Why not take a chance, take the road that looked more promising. In fact, I’d been taking chances since writing the first line of my first screenplay almost exactly two years before this trip. So my solitary walk on Saturday was actually as much an affirmation as it was inspirational.

As a result of all this brain work on top of my exhilaration from the day before, I was ravenous by lunchtime. It was another fine, warm day so I found a fish and chips “take away” shop and took my lunch to a wooden bench on the long promenade that skirted the harbor. There were very few people around, despite the glorious weather, and I thought it would be a peaceful place to eat, watch seagulls, and gaze at the sea.

As I sat there gobbling my food, I heard the unmistakable sound of someone tapping a microphone, checking to see if it was live. Then someone introduced the Mayor of Penzance, who in turn introduced the Cober Valley Accordion Band.

Now that I was paying attention, I saw the band assembled on folding chairs about fifty feet away. They opened their program with “The Battle Hymn of the Republic.” Happily, they were just far enough away that it wasn’t unpleasantly loud, so instead of relocating I gave up on the idea of a tranquil lunch and accepted the novelty of it all.

Suddenly I was joined on the bench by large, late middle-aged woman I hadn’t seen coming. She was armed with an enormous sausage wrapped in paper, and a cardboard container overflowing with chips. She didn’t say a word; didn’t even give me a glance. She lowered herself heavily onto the bench and began to eat.

A little later, while the band played “I’m Tired and I Want to Go Home,” my bench mate, having finished her sausage and chips, dug around in her capacious purse and took out a banana which she ate slowly and thoughtfully, pausing between bites to hum “Amazing Grace.”

Then a pair of teenagers on roller blades appeared, skating in slow circles on the promenade between my bench and the accordionists. They held hands, every now and then drawing together to embrace and kiss with hormone–charged abandon; as if they were alone on the planet. At this, the sausage lady heaved herself to her feet and wandered off somewhere, leaving me alone with the gulls, the circling kids, and the sea.

It amuses me now (with a dry chuckle) to note how this series of odd events on the promenade of this pretty Cornish town, each more unexpected than the last, foretokened much of what lay ahead for me in connection with my foray into the movie biz, where nothing is quite what it appears to be.

My train trip back to London later that afternoon was uneventful.

PORTHCURNO TO LAND'S END

One warm, clear, summer day in 1999, I found myself making a solo trek along the Cornish Coastal Footpath, from the Minack Theatre in Porthcurno, to Land’s End.

I ‘d come to Cornwall at the suggestion of a pleasant and persuasive man, a film director, with whom I’d been working in the London office of a British film and television production company in the effort to transform one of my screenplays into something the producers thought they could find backing for. Over the course of several days’ work, the script had come to resemble a sort of gentle thriller, not at all what I'd had in mind when I wrote it. But, innocent that I was, I still believed I could find a way to please them while keeping the story mine.

I hungered to see my words brought to life on screen, and the director’s desire to set the story in Cornwall was perfectly acceptable to me, so I took him up on the idea of doing a little location scouting myself. It’s possible he thought that wild and beautiful landscape would work some magic on my writer’s brain, filling it with the sort of scenes he wanted to see in the next draft of the script.

But this side trip, my solo walk, was entirely unplanned. I’d left my bed & breakfast in Penzance that morning and taken a bus to Porthcurno, planning only to visit the theater and return. Innocent of the abrupt change of plans awaiting me after I discovered the possibility of walking along those cliffs, I’d brought no lunch; not even a bottle of water. I think I had an orange and a bar of chocolate in my jacket pocket. I was hot, hungry, and very thirsty when I reached Land’s End. And as happy as I could remember being in a very long time.

During my walk along that spectacular coastline, with fields on my right, sheer cliffs dropping to the sea on my left, I had it all to myself, encountering only three or four other people the entire time. The distance between Porthcurno and Land’s End seems to depend on how closely one sticks to the path; the length given in guides ranges from four to six miles. If my memory is accurate, it took me between two and three hours, with much meandering, such as a couple of side trips down to the water which was an irresistible blue.

So despite the occasional sight of another hiker half a mile ahead of me, and those few whose paths crossed mine, I was alone on the journey. And I felt utterly anonymous. No one in the world who knew me, knew where I was that morning. Had I tumbled down the cliffs, been eaten by a rabid sheep, or washed out to sea, no one would have even known I was missing for days.

My screenwriting career ignited, burned merrily for a few years, then died. Sometimes I scratch sadly through the ashes, wondering how it might have turned out had a thousand things been different.

But the memory of those hours in Cornwall stays with me like an epiphany. Being entirely on my own for these few hours, with only myself to take care of, and only myself to take care of me, was an ecstatically liberating feeling. I know the feeling was partly due to the brief escape from my ordinary responsibilities, but beyond that, I think it was due to the spontaneous decision I’d made to try the walk, consulting no one, setting out unprepared, just seeing an opportunity and impulsively acting on it. I felt happiness settling in on me like a barometric change.

[If you’d like to read a detailed account of someone else’s journey on this leg of the path, but in the reverse direction, i.e., Land’s End to Porthcurno, and see his stunning photos, look here: http://www.jbutler.org.uk/e2e/sccp/w1/index.shtml]

The Joy of Animals

Thank you, Pushkin and Lyuba (Pushkin’s the black one pictured to the right, Lyuba’s the multi-colored one in the photo above). These are the creatures sharing our home at the moment; the reigning deities in a long line of four-footed pleasure-givers.

There have been many cats before them, and many dogs. Not to mention a couple of horses, some rabbits, a pair of short-lived ducklings, hamsters, gerbils, an iguana, a pair of birds (two-footed, but I'm counting them anyway) and the orphaned baby woodchuck we bottle and hand-fed one summer until he was old enough to take care of himself and we set him free.

There have been cats who allowed themselves to be dressed in doll clothing, a cat who liked to swim, and a dog who saved my two-year old sister from being trampled by a herd of sheep. There was the cat who took off, leaving behind a litter of kittens, only to reappear months later looking sleek and happy. That same cat, together with a dog who had joined the household, went out for a walk one morning, stayed away for days, then returned within minutes of each other, offering no explanation of where they had gone or why.

There’s plenty of scientific data showing that the presence of animals in our lives is good for our mental and physical health. For example, when animals are brought to visit people in retirement homes, there’s evidence that petting them, even just watching them, results in a decrease in people’s blood pressure and marked improvement in alertness and mood, due at least in part to the release of endorphins. Ah, those lovely endorphins.

But even if the benefits can be explained as a chemical high, I like to think that what animals bring us as the gift of pure joy. Just that, the heart-lifting experience of joy. They offer it simply by being the creatures they are; frank about their needs, but asking nothing of us beyond food, shelter, and some affection.

We chose Lyuba and Pushkin a couple of years ago at a shelter, when she was a year old and he six-months. They had been discovered alone in a house, abandoned and starving. It took months before Lyuba would leave the hiding place she found, in the back of a closet, for anything but food and the litter box. I imagine she’d been old enough during the time of their mistreatment to have learned to associate humans with all things negative. Pushkin, on the other hand, seems to have been too young to have made that connection. I think he is also innately a blithe little soul. And, happily, Lyuba has gradually become a glutton for affection.

Now that Pushkin is an adult cat, and nearly twice Lyuba’s size, he’s a perfect example of biology as destiny. Pushkin rules, especially at feeding times when he will do whatever is necessary to stay between Lyuba and the human with the can of cat food. But I can’t hold this against him; I understand it’s in his genes. And in counterbalance to his “I am master of all I survey, especially food” attitude is his totally unselfconscious zaniness. As when he suddenly decides to hurtle from one end of the house to the other, sometimes giving out a savage little cry in mid-course. It’s inexplicable, and highly entertaining.

It’s also great fun when I inadvertently startle him and he levitates straight up, a couple of feet up, makes a 180 degree turn in mid-air and comes down acting as if nothing had happened. It’s better than Laurel and Hardy. No matter what’s on my mind, this antic behavior dissolves me. I can't help laughing out loud; the joy of it just bursts out of me.

Since Pushkin seems not to take offense, doesn’t seem to feel laughed at, as any self-respecting dog would, I must admit I occasionally startle him on purpose. It’s easiest when I catch him in a moment when he’s deeply absorbed in something, say crouched in hunting pose, watching a bug cross the kitchen floor inches from his nose. All I need to do is shuffle my foot abruptly and that unexpected sound is enough to send him skyward.

It’s crossed my mind that I could borrow a video camera and film one of these leaps then play it back in slow motion and learn exactly how he manages the mid-air reversal of direction. The scientist in me wants to understand it, but I have the sense that putting a camera between myself and the acrobatics would rob me of some of the pleasure.

I think I witnessed this same kind of pleasure in my three-year old grandson recently as he watched some workmen adding a second story to the house next door. He saw one of the men climb from a scaffold into the house through an open window and burst out laughing in exactly the same way I laugh at Pushkin's leaps; overflowing with the delight of seeing something so inexplicable and so unexpected.

So I'm grateful to Lyuba and Pushkin, and all the creatures who have come before them, for helping to keep some of that child's sense of amazement alive in me, for lightening some of the darker moments, and for allowing me to love them.

TRAVELING COMPANIONS

Due to a mysterious computer glitch I still don’t understand, I’ve been prevented from having my say here for a whole week. My intention had been to string together at least a few words every day and it’s been much more frustrating than I would have expected to be so thwarted. But, the planet seems to have continued in its orbit of the sun nevertheless.

On the subject of orbits, acting on a heads-up from the family astronomer the other night, we witnessed the transit overhead of the Jules Verne, an unmanned “automated transfer vehicle,” followed a few minutes later by the International Space Station. As I understand it, the two will orbit in sync until April 3rd when the Jules Verne is scheduled to dock with the Space Station and unload many tons of supplies.

The two vehicles moved so purposefully across the sky, their construction and operation far beyond my ability to comprehend, but their existence deeply pleasing to me. High enough above us that they flew in sunlight when all was dark here below, they shone like stars until they entered the Earth’s shadow and vanished from sight, one after the other.

Declining to contemplate any possible hostile uses for this technology, I prefer to look at the exploration of space as one of the clever things we humans have managed to do with our opposable thumbs. I’ve enjoyed such sightings since my first look at Sputnik crossing the night sky back in the 1950s. At the time it was simply astonishing to realize I was observing something designed and built here on earth; not a planet, not a meteor. I didn’t care who had put the thing up there, I was awed by the human achievement. And I still like the fact that Sputnik means “traveling companion”; a modest, non-technical name.

The delightful sky-watching experience of the other evening followed on the heels of a weekend gathering that had brought together a group of family and friends spanning four generations, from nearly nine months to 90-plus years. The composition of this group fluctuates somewhat from one occasion to the next, sometimes including more members of one branch of the extended family, sometimes more from the other. In this case the group included people we only see on such occasions, people we hadn't seen in years, and others we see almost every week.

This collection of people reminds me a little of a galaxy, if galaxies could alter their composition from time to time. Some of us are blood kin, some are related through marriage- our own, or someone else's. Some of us, like moons, circle a parental planet. Some of us have spawned moons of our own. We travel through our separate lives, in our separate orbits, sometimes intersecting, sometimes running parallel to each other. Most of the time we're not conscious of ourselves as a group at all. Yet from the right vantage point, say, someone observing us from another galaxy, perhaps our overall form would be evident in some other night sky.

BREAD

Our house is filled with the smell of freshly-baked bread; I’ve just taken two whole wheat loaves from the oven. Yesterday I baked some challah and will bake more of that tomorrow.

After a lapse of many years, I began baking bread again sometime after Christmas and have produced nearly all the bread we’ve eaten since. It wasn't a total lapse, I’ve continued to bake special breads for holidays, but in terms of baking everyday bread, I can’t remember how long it’s been since I’ve done that on a regular basis.

Aside from the aroma, which is almost sufficient reason alone to bake bread, and of course, the pleasure of eating it, I love the process. Most of all, I enjoy kneading the dough before the first rising; bringing about the transformation of a bowlful of raw dough into a smooth, elastic mass.

What is it about the quality of the time spent kneading? It’s so simple, requires no conscious thought, the mind can wander. But, and this is the important thing I think, my mind doesn’t wander. I get mesmerized by the tactile experience, the patterns of the folding and turning, the rhythm of my hands. I suppose it’s something like a meditation.

Recently, I've been experimenting with a recipe for a no-knead bread that results in the closest I've ever gotten to making a French boule. It's delicious, though a little hard to cut; the crust is crisp but the interior of the bread doesn't offer enough resistance and sort of squishes down under the pressure of the knife. And I'm concerned about the necessity of preheating the pot you bake the bread in. The only pot I own that's big enough to contain this large loaf, is enamel, and I think you're not supposed to heat such pots while empty.

Eventually, I suppose I'll buy myself a pot for this purpose, the bread is so good. But in the meantime, I need to adjust to the concept of not kneading, of leaving out my favorite part of bread making. It's a yeasty paradox; I love the end result, but miss the meditation.

Happy Spring!